Cabilla Manor Project

At the moment we are looking at a feasibility study for Cabilla and the proposal to create an opera house. This means that by the 14/12, we must have fully researched the land, and have chosen three areas on the large site to place three separate buildings. These buildings do not have to be designed, but simply be options for the client...

Again, the big issue is that we must not use fossil fuels.

So far, we have researched, made big site models, and looked at initial concepts. Here are a few pics from the weeks:

Site visit, cutting through the deer field was
lovely, though I feel we scared them a bit

All the rainfall in the westcountry certainly makes itself known

I love this sign so much, especially as it was pegged open

The start of the site model

All contours on, fields, tracks and trees taking shape.

Year Two's First Project

Hello!

I have just started my second year back in Plymouth. I'm still loving the course, and of course my new housemates.

Our current project is to create a holiday cottage for two, in a wood on Bodmin Moor, entirely without the use of fossil fuels. There is a crumbling ruin on site, with which we must work. To begin with this sounds straightforward, but once you start thinking about embodied energy, then it starts to get tricky....

For example, thinking about which materials to use, one thinks of wood, seeing as it is a renewable material (if managed correctly). But then you have to think of where that wood is coming from (as you can't use transport due to the fossil fuels it uses as power), and how it has been processed (we can't use tools that have themselves been made with fossil fuels or use fuels to power them).

Admittedly, the timber issue was fairly straight forward; I am using local oak to make a green oak frame. This in itself has its problems as it will warp as it seasons (seasoning wood in modern times has been done with a process of 'baking' which uses fossil fuels as power). Also, we must consider whether we actually want to chop down the trees, as this will definitely expose the hidden site. The more interesting problems, however, come with things like the oven, piping and windows - I wanted an aga or something similar, but the cast iron needs too many processes; plumbing generally uses copper pipes, but there isn't a way to make them on site; windows must be made on site, which leaves the option of handblown glass.

See? It gets tricky.

And it's due on the 23rd. Minor panic.

Beautiful bit of Cornwall.
The site is in the patch of trees on the right!

The heavy canopy and the top of the ruin.

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on. 


I am writing this whilst writing my 'narative' for my Calstock site. The brief is still vague, but at the moment my idea is that this area is a place for a walker to stop briefly and rest.
The verse above is from WH Auden's "As I Walked Out One Evening". It could just be my favourite poem of all time. It is beautiful, so I thought I would share. If you have the time to feel moved, have a look at the full version.


Much love
Abi

Recent Trip with coursemates to Wembury beach